“Clara Rodriguez at the Wigmore Most of what Clara Rodriguez played to a full Wigmore Hall on 20 December was marked by the sheer beauty of her tone".
Max Harrison. Musical Opinion
Clara Rodriguez has founded and directed three music festivals:
“What a treat was in store for the gratifyingly large audience at the Purcell Room last autumn. There was a pianist of rare quality to meet us with grace of demeanour and palpable pleasure in her very special brand of musicianship. Her name? Clara Rodríguez; not a newcomer, but one whose return to the South Bank had been rightly anticipated with eagerness by former admirers. And why is she so special? She can and does play softly, with a range of nuance between pianissimo and mezzoforte of rare subtlety, of the kind which makes the music steal upon the ear like vibrations from another world. We heard Schubert’s Sonata in B flat D960, played as the essay in quietude which it surely is: all four movements differentiated in the most perceptive of ways, and the whole producing an unforgettable spell of unsullied beauty. This came after an opening of a group of so-called Children’s Pieces by the Venezuelan composer Antonio Estévez music of character and charm. Later we heard Poema Singelo by Villa-Lobos, a beautiful study in shifting sonorities. Finally came a riveting account of Chopin Sonata in B minor Op.58 magical in its unforced poetic feeling and clarity of articulation”.
Geoffrey Crankshaw. Musical Opinion. London